They claim that the vibrations in a wooden floor never disappears. The stomping of beats remains there forever. The riff is hiding in the floorboards. The bass solo is engrained over several square metres.

Depeche Mode at Hovet, Stockholm in 1986; the whole concert is still in the stage floor. Metallica in Solnahallen in 1986, you can still hear Ecstacy of Gold if you put your ear against the floor. U2 at the Globe, Stockholm in 1992; Love is Blindness, Mysterious Ways, With or without you.

The floor remembers it all; Guns´N Roses, Tina Turner, Bob Dylan, Roxette, Luciano Pavarotti, Frank Zappa, Sex Pistols, Eric Clapton, Aerosmith, Frank Sinatra, Nirvana, Elton John, Alice Cooper, Anastacia, Black Sabbath, Deep Purple, Duran Duran, Iron Maiden, Annie Lennox, Blur, Bon Jovi, Bruce Springsteen, Prince, Metallica, Crosby Stills & Nash, Depeche Mode, Eminem, Joe Cocker, John Fogerty, Marilyn Manson, Mark Knopfler, Oasis, Paul McCartney, Phil Collins, Rod Stewart, Santana, Sex Pistols, Status Quo, U2. Just to mention a few.

On the same stage Pope John Paul II led a midnight mass in 1989, one year later Nelson Mandela gave his first public speech after his release. The stage was also the platform for The Dalai Lama when he took part in a huge anti-violence manifestation in 1996.

An era is going to the grave. The stage floor, upon which the great rock giants have stomped, has done its job. The list of artists and performances is endless. Every piece of the stage floor, as unique as a fingerprint, numbered and mounted by hand with a protective cover of transparent plexi-glass, costs the same as a concert ticket. Hang it up on the wall or lock it up in a safe place.